Guide to magazine fact checking published

[It] explains why magazines use fact-checkers when other media don't; how to put a fact-checking system in place; and how to go about checking the facts in an article. Fact-checking is a key entry-level or freelance position in the magazine business, a way for aspiring writers or editors to learn how a magazine works and how professional writers put together a story, and to develop relationships with editors that can lead to assignments or jobs. And the more writers know about what happens to their articles when they are fact-checked, the more prepared they’ll be to provide what editors want — and to protect their copy. These skills can be adapted to any medium.Brouse will be using the book as the required text in her fact-checking course at Ryerson, but it has usefulness way beyond that. One of the things that distinguishes magazines from other media is this arcane, but incredibly useful process which -- a colleague said just yesterday -- "saved our bacon time and time again".

For five years she was on the English faculty at George Brown College in Toronto, and since 1987 has taught part-time in Ryerson University's School of Journalism and in its Magazine Publishing Certificate Program in the G. Raymond Chang School of Continuing Education.
Fair disclosure: I freely gave Brouse a blurb for her book. After a sneak preview, I called it a "gem", and I still think it is.
[Regular readers of this blog will recall the back and forth comments some time ago in response to a couple of postings on fact checking. The links are here and here.]
Labels: fact checking
2 Comments:
Thanks for the plug, D.B. There are some excellent candidates out there for the title of doyenne or doyen of fact-checking, checkers who do it every day and have been for a long time (Veronica Maddocks and Charles Rowland come to mind). Since I don't do a lot of it these days, I'll accept the mantle of doyenne of the teaching of fact-checking (DOTTOF).
This is a fabulous textbook. With Cynthia's permission, I used its prototype in my magazine editing classes at Centennial last year. It was enthusiastically received (along with her workshop). An excellent teaching tool but also (and maybe more importantly) a really useful in-office guide for a magazine. No magazine should be without it!
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